Review: Tone Projects Unisum

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Price £160
Contact Tone Projects Established in the early on 2000s by Rune Lund-Hermansen and his team of talented engineers and DSP specialists, Tone Projects has become renowned for its audio quality. This new overcome compressor is preceded by three stellar products : BassLane, Compadre beatpuncher and Sonitex STX-1260, all of which have become firm favourites with producers searching for brawny software process. Unisum, though, is something different – and more advanced. Imagine rolling the features of all the worldly concern ’ mho finest mastering compressors into one and you ’ re on the correct lines. Unisum is in full adaptive to any track and boasts capabilities that can not be replicated by any other compressor. Let ’ s unpack it.

Game changer

According to Tone Projects, one of the central ideas behind Unisum is that “ every song is different and no mix has the same up and downs ”. With this in beware, the Copenhagen-based company went about designing a mastering compressor that embraces the complexities of modern mix and mastering, putting the creative control of active shaping immediately into the hands of the master engineer. This is a tool that responds precisely to your ears and emotional understand. It merges tone, proportion and groove, and even though it ’ s an highly deep circuit board geared towards professional mastering engineers who will revel in its features, it can however be used by more minor engineers besides. That ’ s what we love about Unisum – it can be used to make surface-level decisions or more in-depth ones. It ’ s capable of amazing sounds after merely tweaking the parameters on its main GUI, some of which are unique. With the helpful tips function enabled and the detail but simple-to-use manual at hired hand, however, you can embrace its more expansive features with confidence. Tone Projects Unisum

Major project

Unisum is a stereophonic compressor capable of operate in either Stereo ( LR ) or Mid/Side ( MS ) mode. Both modes allow either in full linked, partially linked, or completely offprint process of each channel by using the continuously variable channel or parameter link controls, which besides include filter and limit features. When designing this, the team at Tone Projects looked to focus on sound. They wanted a transparent and houseclean compressor through which users could add character by way of Tone Projects ’ own Hygge button or by increasing the color via fast settings for the RMS detector. The solution is a very organic strait. The Hygge circuit offers a ardent and thick heavy by subtly altering harmonics, transients and frequency reaction. It contains several stages of frequency and level-dependent saturation, with trickle feedback besides available. These are inspired by the transformer and tube characteristics of high-end hardware compressors. The march of sound and particularly oversampling within the compressor is based on three quality settings : Realtime, for zero-latency and low-CPU custom, but not well suited to Hygge mode ; High, for low aliasing and balanced CPU custom, ideal for most applications ; and Pristine, for superior-quality alias-free compaction that ’ ll eat away at your CPU. Tone Projects Unisum

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Far from the mastering crowd

What makes Unisum stand out from the crowd is its alone and detail manipulate sections that empower users to make decisions. Each channel on the main GUI sports threshold and proportion controls with bang-up features. For example, when using SC Emphasis ( sidechain ) combined with the Weight control, you can set up frequency-dependent thresholds. Unisum reacts beautifully to these, and the routine can about be used as a de-esser. The SCHP sets the frequency of a 6dB/oct high-pass filter on a sidechain bespeak, a bright function for reducing low-frequency pump. The Relax and GR Limit controls work well with each channel ’ south ratio to reduce maximal gain reductions, smoothing out transfer curves in the process. We love the new range master between linear and logarithmic turn curves besides – and not just because it ’ second never been seen on a compressor before. At the bottom of the GUI, there ’ s an expandable section for those who want to explore the boost parameters. In this area, you ’ ll find a set of built-in styles ( presets ) that change the parameters in the Style section, providing quick and easy starting points that can be adjusted late. The fire and secrete functions are foster enhanced in the Modifier section. This is primed for tailoring the A/R envelopes to the unique needs of your traverse or to cautiously add an extra sense of movement and energy without hyping the reasoned excessively much. Using RMS speed and peak-gain functions when adjusting A/R helps control the accelerate and sensitivity to sign changes. The release-curve serve besides provides a poise between energy and eloquence, with the Modifier section calibrate how the software reacts to different levels of compression.

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The extra controls in this segment besides allow users to apply foster functions not seen before in early compressors, such as controlling A/R curves with the Loud and quiet Time functions, and controlling the crossover voter points between the curves with the X-Over Level restraint. The A/R Modifier segment besides features Memory Effect, which modulates A/R times based on compression saturation, and the transient-override function, which overrides A/R time on transients by compressing at a unlike clock time to the other fabric present. This unique A/R Modifier department includes a second envelope excessively, with mix, clock time and smoothing functions. This slower envelope runs in parallel with the main envelope, and can yield snappier or smoother compression with slightly different timings, if required. The Multiband Detector section is split into three frequency bands, offering separate RMS and Peak detectors from which the loudest bespeak is used. The RMS detector ’ s travel rapidly is variable and, while it can be very debauched, it is typically used in a reasonably dense set to track the average and perceive flashiness of a signal. In contrast, though, the Peak detector is fixed in a very fast configuration, which makes it effective at catching transients. Using both in bicycle-built-for-two produces flexible signal-level detection. The useful low-mid and mid-high frequency settings enable 12dB/Oct crossing over frequency between the detector bands, with no phase-shifting or distortion, which helps tailor the compressor to any material. Unisum is a authentic and near-perfect joyride for tone-shaping and solidifying your tracks .

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Do I really need this?

Tone Projects Unisum There are many mastering compressors on the marketplace and you may already have a few favourites. The features found in Unisum, however, mean it ’ sulfur unique and should be highly desirable by comparison. Let ’ s face it, when you have the likes of Bob Katz, Stefano Pizzaia and Holger Lagerfeldt endorsing a merchandise, you know it ’ sulfur something limited. If you ’ re going to spend money on a DSP compressor this year, this has to be it .

Key features

  • Wideband compression through flexible multiband detector control
  • New Mid/Side mode with channel linking
  • Attack and release shaping options
  • Frequency-dependent ratio
  • Sidechain high-pass and emphasis filters
  • Hygge circuitry for ultimate character
  • 3 quality modes using high fidelity linear phase oversampling
  • Gain-reduction meter
  • Presets by experienced mastering engineers


Brainworx Elysia Alpha Compressor Brainworx
Elysia Alpha Compressor £200 The closest alternative in both price and features, this analogue M/S overcome compressor is an accurate emulation of the popular high-end hardware version. It ’ s able to retain the character of your generator material even when extreme compression settings are applied, and boasts frequency-targeted controls.

Shadow Hills Industries Mastering Compressor Class A Shadow Hills Industries
Mastering Compressor Class A £260 More expensive than Unisum but with similar functions, this mastering interpretation is considered by some audio pros as the pinnacle of the Shadow Hills sound. The software includes separate optical and discrete compaction sections for the use of two-stage compression techniques .

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